that being said, i love kiarastomi and his films are very experiments. i think godard's late films are a bit too out there for me and i think he has become too obsessed with turning people off to his work. or i need to tap out. anyway, like most of his later period films, it involves a lot of philosophy, images of war, and not much of a plot. the first ten mintues of our musique are remarkable but afterwards, i was drifting quite a bit. as always, the camerawork is amazing.
next up is detective (woo! leaud!) and woe is me. incidently, i recommend godard's experimental stuff from the 60s like le gai savoir and les carabiniers